Shaun Smyth steps into the formidable role of Frank Galvin, a down-and-out Boston lawyer who rediscovers his conscience in Vertigo Theatre's gripping production of The Verdict. The role was famously played by Paul Newman in the 1982 film adaptation of Barry Reed's novel, earning an Oscar nomination. Yet, within the first ten minutes, Smyth makes the character entirely his own, accomplishing the near-impossible feat of earning the audience's support even when Galvin's flaws are on full display. Smyth never elevates Galvin to a savior figure; instead, he remains an arrogant, combative, womanizing alcoholic, but his determination to fight for a young mother left incapacitated by medical malpractice is compelling.
A Well-Cast Ensemble
Director Jack Grinhaus ensures that every actor gets their moment to shine, making this far more than a one-man show. The balance between drama and humor keeps the production both entertaining and insightful, never shying away from dark themes. The second act, which features the trial, pulses with tension and energy due to the actors' focused performances. The first act serves as necessary exposition, introducing the characters and the circumstances leading to the trial. The Catholic Church, which operates the hospital where the malpractice occurred, offers a seemingly reasonable settlement, but Galvin believes the compensation should be at least five times higher.
Outstanding Performances
Joel Cochrane delivers a standout performance as the unctuous defense lawyer J. Edgar Concannon, exuding strutting confidence. His coaching of the doctors in Act One pales in comparison to his fierce cross-examinations during the trial. Concannon is convinced he has the case wrapped up, and the revelation of why creates one of the play's best twists. Duval Lang, as Judge Eldredge Sweeney, shares bitter exchanges with Smyth, highlighting their history as antagonists. Dov Mickelson plays Moe Katz, Galvin's old mentor, with a perfect mix of levity and authority, knowing when to provide comic relief and when to command gravitas.
Kira Bradley and Steven Conde portray the two doctors at the center of the malpractice suit with steely confidence and feigned arrogance, making their eventual exposure deeply satisfying. Kelsey Verzotti, Christopher Clare, and Shawna Burnet each play two distinct characters, executing quick changes so seamlessly that it feels like six actors, not three. Steven Morton brings humanity to Bishop Brophy, softening the character and defying initial expectations of outright antagonism.
Technical Brilliance
Narda McCarroll's set design, especially in the first act, is both functional and visually appealing, allowing smooth transitions from Galvin's office to his favorite bar, the hospital, and a restaurant. Jessie Paynter's lighting design enhances these shifts, adding depth to the production.
Final Verdict
The verdict is in: this North American premiere of The Verdict is one of the best productions of the season. Running at Vertigo Theatre until June 7, it is a must-see for fans of powerful courtroom drama.
