Hallelujah! The spirited musical Sister Act has taken Calgary by storm, with Stage West's latest production delivering an infectious dose of fun and frivolity that faithfully captures the magic of the beloved 1992 film.
A Heavenly Cast Leads the Show
At the heart of this divine production is Ocean Williams as Deloris Van Cartier, the aspiring disco diva who witnesses a mob hit and finds herself hiding in witness protection at a convent. Williams brings remarkable sass and vulnerability to the role, creating a character who's both fiercely independent and secretly soft-hearted.
Her staggering vocal range shines whether she's leading the nun's choir or performing solo numbers like Fabulous Baby. Williams demonstrates exceptional stage presence, knowing precisely when to command the spotlight and when to share it with her talented co-stars.
Standout Performances and Comic Chemistry
The production, directed by Tracey Flye and choreographed by Stephan Dickson, features several standout performances that elevate the material. Colleen Winton delivers a masterclass in dripping sarcasm as Mother Superior, creating electric comic chemistry with Williams in their scenes together.
Their confessional scene emerges as particularly hilarious, showcasing two perfectly matched performers playing off each other with impeccable timing. Winton's solo I Haven't Got a Prayer blends humour and heart, while her whispered asides to God provide delightful moments throughout the show.
Supporting Cast Steals the Spotlight
One of Sister Act's greatest strengths lies in how it gives minor characters their moments to shine. Michael-Lamont Lytle transforms the menacing song When I Find My Baby into an unexpected pop anthem, showcasing both his powerful voice and understanding of musical styles.
As the lovestruck policeman Sweaty Eddie, Kaden Brett Forsberg delivers a touching performance of I Could Be That Guy, complete with one of the show's best visual gags involving three rapid costume changes on stage. Forsberg balances Eddie's nerdy qualities with genuine charm, making the romantic subplot believable and sweet.
Another highlight comes from Eva Petris as Sister Mary Robert, whose solo The Life I Never Led becomes a powerful anthem of self-discovery that truly rocks the house and stands as one of the production's most memorable moments.
This Stage West Calgary production proves that Sister Act remains as fresh and entertaining as ever, delivering exactly what audiences seek in musical theatre: outstanding performances, laugh-out-loud comedy, and songs that will have you humming all the way home.
