The Calgary Philharmonic Orchestra has been enjoying an exceptional run of classical concerts recently. Notable performances include the Verdi Requiem under resident conductor Karen Kamensek, a sold-out Vivaldi's Four Seasons, and a memorable rendition of Holst's The Planets conducted by Naomi Woo with the Edmonton Symphony Orchestra. The question on everyone's mind is whether the orchestra can sustain this level of excellence. Based on last Friday's concert, the answer is a resounding yes.
A Night of Masterworks
The evening featured two performances of the highest caliber. In the first half, renowned English cellist Steven Isserlis delivered an immaculate interpretation of Schumann's brooding Cello Concerto. Isserlis, widely regarded as one of today's most prominent cellists, brought depth and sensitivity to the piece. The second half was devoted to Mahler's First Symphony, a work known for its lyrical melodies and accessible nature. Guest conductor Earl Lee led an expanded and highly responsive orchestra through a vivid and engaging performance.
Earl Lee's Commanding Presence
Earl Lee, who previously conducted the Calgary Philharmonic in Beethoven's Seventh Symphony with violinist Diana Cohen, demonstrated his considerable skill and artistry. His conducting technique is notably strong, allowing the musicians to follow his clear leadership with ease. Lee's approach is collaborative rather than dictatorial, fostering a cooperative spirit that benefited the overall performance. The audience listened with rare attentiveness, including two teenage boys seated in front of this reviewer.
Highlights of Mahler's First
Mahler's First Symphony, often considered the composer's most accessible symphonic work, is characterized by its lyrical and melodious qualities. The first movement's main theme is drawn from Mahler's own song about spring. Lee led a finely nuanced performance, with particular attention to the delicate balance between soft passages and climactic moments. The Viennese second movement was excellently gauged, while the Frere Jacques third movement showcased some of the symphony's finest pages.
The orchestra's soloists shone throughout the evening. Notable contributions included a superb double bass solo by Jonathan Yeoh in the third movement, as well as excellent playing from the first flute, first oboe, first clarinet, and first trumpet Adam Zinatelli. The presence of eight horns lent the symphony its distinctive sound, and all soloists shaped their parts with refinement, seamlessly integrating into the musical fabric.
Refinement and Authority
What most marked this performance was its sense of refinement. Conductor Lee maintained a steady pace, particularly in the Viennese second movement, which was especially fine on this occasion. The balance between soft playing and the lead-in to climaxes was handled with sure authority, especially in the framing movements. Lee knows this work intimately and put his own stamp on the performance, emphasizing lyricism, clarity, and tight ensemble work. This was a professional performance of high standard, reflecting well on both the conductor and the orchestra.
In summary, the Calgary Philharmonic continues to impress with its recent programming and execution. With guest conductors like Earl Lee and world-class soloists like Steven Isserlis, the orchestra is demonstrating its artistic vitality and commitment to excellence.
